![]() You can easily drag them onto any photo or design, and use blend modes and other effects to merge them seamlessly. Your free design pack includes 20 image files inJPG format. From dreamy bokeh overlays to sparkly confetti clouds, these are the perfect elements to lift up any of your creations. This pack is meant to add a subtle shimmer to any of your designs. What’s Included in This Pack of Celebration Assets ![]() With free bokeh, light flares, confetti and glitter you can add serious shine to your party invites, photos, and more. These free celebration overlays are here to help you celebrate. No matter what time of year, there’s always a reason to celebrate, whether it’s a birthday, a special holiday, or just simply because. Learn how to use them in your design with a guided video tutorial. I also want to share my editing process with you.Add a festive touch to your designs with this pack of free design elements, including free bokeh overlays. ![]() In the second one, I was inspired by the way the light was illuminating the tumble weed and when saw that one of my rain captures looked like flames, I knew I wanted to get a bit more creative and ended up combining the two shots to make it look like the tumble weed was on fire! In the first capture, I loved her interaction with the plant, so I wanted to play that up and make it magical. I did not initially capture these shots with the intention of adding a bokeh overlay, It is usually something comes to me after I shoot, and when I sat down at my computer to edit these, I was so inspired to get creative! Read more: How to use Kelvin for White Balance I typically shoot around 5800 K at golden hour which I find gives me a very neutral base to start with. I also like to use Kelvin to set my white balance. I can always adjust my exposure later in Lightroom but you can’t recover any detail in completely blown highlights. I shoot in RAW and like to underexpose my shots in order to avoid blowing any highlights. There is a way to do multiple exposures in-camera, but this requires you to shoot one photo after another (which I, admittedly have never actually attempted.) For me, the creativity comes from being able to experiment with different shot/overlay combinations later in Photoshop.īelow are two SOOC (straight out of camera) shots that were taken the same evening. Typically, when I’m shooting for bokeh overlays, the bokeh shot and the base shot are completely separate. The key for me when shooting with bokeh overlays in mind is to create as black of a background as possible, which can also be adjusted in Lightroom by dropping the shadows and black sliders. Below is a favorite that I captured from that night. That image is what inspired me to create a bokeh overlay from rain being illuminated by a streetlight on the window. I have to give credit to Mindy and her incredible image of her little one in front of a rain illuminated window. ![]() Read more: 4 Fun Ways to Create Foreground Bokeh These bokeh overlays have inspired some of my more creative edits which are what I’m going to share with you today! Since then I have created bokeh overlays from Christmas tree lights, bubbles, as well as illuminated rain on a window. I knew I had to try it out for myself, and needless to say I was hooked, maybe even borderline obsessed! I first discovered double exposures this past Christmas when my Instagram feed was flooded with magical double exposures from Christmas lights. ![]()
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